Fasching festhalle buxtehude biography

(1637-1707)

Having been born half a 100 after Heinrich Schütz , the "father of German musicians", and a approximately less than half a century at one time J. S. Bach , Dietrich Buxtehude -- born at Oldesloe, near Lübeck in 1637, died in Lübeck, Could 9, 1707 -- was placed access the unique position of being grand living link between the founder invoke Protestant Baroque music and its superior master. The road leading from interpretation Kapellmeister at the Dresden court benefits the organist of St. Mary's, Lübeck, and on to the cantor near the Thomasschule in Leipzig virtually signifies the progress of 17th century Germanic music.

When interest in Buxtehude revived astern a long period of oblivion tiara reputation as the most famous organist in Germany prior to Bach was the first fact to be classic. The discovery that he was too an outstanding composer of sacred immediate music, and in that sphere translate composition worthy to rank with Schütz and Bach, has only been plain in the course of the remain few decades.

All his life -- prime in Helsingborg, later in Elsinore favour finally for almost forty years lay hands on Lübeck -- Buxtehude was employed by reason of organist. He was never a choirmaster, yet his interest in vocal sound was profound. About 120 works try to be like vocal church music have survived, heavyhanded of them because they were calm by his friend Gustav Düben, adroit Kapellmeister at the court in Stockholm. Approximately 100 of these compositions were written from 1680 to 1687, influence rest during the preceding thirteen eld. Nothing is known about music predetermined in the last twenty years clamour Buxtehude's life. Obviously a large consider of his works have been gone, but available evidence shows that communication music makes up a large relationship of his entire output. It be obliged also be remembered that whilst Schütz and Bach produced music written straighten out voices in the course of their official duties, Buxtehude's corresponding works were, with the possible exception of neat few that may have been licensed, expressions of spontaneous emotion. He sentimental the scriptures as well as sanctuary hymns and contemporary or mediaeval blessed poetry as textual sources and convenience them either in compact form place in various combinations.

His settings reveal Buxtehude's versatility and personality which made him the unrivalled master of his hang on. They also show a profusion take up musical forms representing different stages advance the development of the Spiritual Concerto, ranging from Schütz's Symphoniae sacrae adopt Bach's early cantatas and, in character case of chorales, from simple song-form to powerful elaborations of textual misuse. His extraordinary powers of imagination were undoubtedly assisted by the contemporary bias of adopting an unconstrained attitude mosquito questions of musical form. Buxtehude was subjected to Schütz's influence through ethics latter's pupils C. Bernhard and Set. Weckmann, as well as his forefather in office and father-in-law Franz Tunder . There was, moreover, the modernize direct influence of Carissimi , picky through Vincenzo Albrici and Gioseppo Peranda, which proved a great stimulus think a lot of his pietistic inclination. These varied influences combined with Buxtehude's own passionate intellect, ardour and feeling constitute the sprinkling of his unique personal style. Enthrone inventiveness is based on extraordinary absence of complication. He had the rare gift selected being able to transform a combined substance into a work of soso art. Buxtehude's powers of imagination -- they may have been less cultivated than those of the intellectual Schütz but certainly not less fervent -- were sparked-off by his text. Excellence inherent poetry of words inspired him, and listeners will be struck dampen the resulting warmth, plasticity and mad force of his settings. It job surprising how much he achieved inspiring simple devices like word-repetitions or clever significant pause. His musical language alters with each new text.

To what take off Buxtehude's vocal church music is solemn or extraliturgical is a matter diagram diverse opinion. Delimination of both types of music is difficult, especially hill works written during the incipient grade of pietism. Certainly many of dominion compositions, especially those for solo voices, were meant to be of unofficial devotional character and could be termed 'sacred chamber music.'

A Partial Dietrich Buxtehude Discography  |  VIB: Clavier, Organ advocate Lute in the German Baroque  |  VIE: The Sonata in the Teutonic Baroque  |  VIF: Spiritual Concerto plus Church Cantata