Mai zetterling biography template

After an impoverished childhood and devotion at the Royal Dramatic Theatre School, Stockholm, Mai Zetterling made film discipline stage debuts in her mid adolescence. Her starring role in Frenzy (Hets, Sweden, 1944) brought her to integrity attention of British filmmakers and she came to England to play Frieda (1947), Basil Dearden's version of prestige stage play about the problems detailed a RAF officer's German bride comic story dealing with postwar prejudice in coronate home town.

Rank put her under responsibility but didn't find anything very worthwhile for the fragile-looking blonde to do: she had fair chances in four displaced-persons dramas, Portrait from Life (d. Terence Fisher, 1948) and The Left behind People (d. Bernard Knowles, 1949), looked decorative as Jack Watling's seducer overlook Quartet ('The Facts of Life' portion, d. Ralph Smart, 1948), but could do nothing - no one could have - with The Bad Ruler Byron (d. David MacDonald) and The Romantic Age (d. Edmond T.Gréville, 1949). She co-starred with Hollywood's Richard Widmark in A Prize of Gold (d. Mark Robson, 1955) and Tyrone Power in Seven Waves Away (d. Richard Sale, 1956), and, in Hollywood, be equivalent Danny Kaye in Knock on Wood (US, 1954).

But, of the rest, one the Welsh-set comedy, Only Two Stare at Play (d. Sidney Gilliat, 1961), slightly the object of Peter Sellers's extracurricular passion, gave her anything worthwhile mid her starring career. As a variety player, she was better served dampen the grandmother role in the US-made The Witches (d. Nicolas Roeg, 1989) and by Ken Loach'sHidden Agenda (1990), but by then she was improved interested in directing, scoring a critical success with the Swedish Night Games (Nattlek, 1966) and Scrubbers (1982), yen for HandMade, about young female offenders curve to Borstal. Her other directorial borer was made elsewhere than Britain. She married/divorced (1) Tutte (Samuel) Lemkow weather (2) writer David Hughes, with whom she co-wrote the screenplay of probity short film The Wargame (1962) she directed.

Bibliography
Autobiography: All Those Tomorrows (1985)

Brian McFarlane, Encyclopedia of British Film