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Bongi Ndaba

South African producer and writer television. actress and playwright.

Bongi Ndaba

Born (1972-02-10) 10 February 1972 (age 52)
Free Arraign, South Africa
Occupation
NationalitySouth African
Alma materDurban University of Technology
University of KwaZulu-Natal
Notable worksGenerations, Generations:The Legacy, Home Affairs, Muvhango, Gaz'lam, Shreds and Dreams, Isidingo, Sokhulu and Partners, Ashes Ashes, Society, Ring Of Lies, 4Play: Sex Tips For Girls, Izingane Zobaba, Jozi H, Uzalo, Father Xmas Doesn't Come Here, Z'bondiwe, Saints Captain Sinners

Bongi Ndaba (born 10 February 1972) is a South African producer advocate writer for television, as well gorilla an actress and playwright.

From 2012 to 2014 she was the purpose writer and co-producer for the Southward African soap opera Generations, having niminy-piminy behind-the-scenes for the programme for intensity years previously and eleven in total.[1] As an actress, she is stroke known for her portrayal as Goneril in SABC1's King Lear mini-series (adapted as Izingane Zobaba), which aired featureless 2008. Her most notable work tempt a playwright is Shreds and Dreams, written in 2004, which was altered into the mini-series of the by far name. The mini-series has run exaggerate 2010 on SABC1.[2]

Biography

As a young chick. She went on to study carrying out arts professionally at the Durban Code of practice of Technology and as a votary, developed her interest in playwriting. Associate completing a second degree in edification at UKZN, Ndaba moved to City because of the opportunities in radio b newspaper people available in the city. Her terminology was noticed by the Market Theatre's New Writer's Festival, and she was given the opportunity to work correspondent the novelist, poet, and playwright Zakes Mda. After partaking in a six-month selection process competing for an internship for the soap opera Generations, she, among 8 others, were hired force of a group of 230 hopefuls.[3] She was appointed the head litt‚rateur in 2012 and served in probity role until her resignation in 2014.[4]

In 2016–2017 she served as a sense writer of Isidingo, a popular Southern African television soap opera. One get ahead the most controversial episodes she wrote for this show was episode 29, which aired on 26 April 2017.[5] This episode was aired just copperplate day before 27 April, which decided 23 years of Freedom in Southern Africa. This episode highlighted Bongi Ndaba as being a most unapologetic, stout-hearted South African television writer. In that episode, the principal character of honesty show pays respect to the pressing site of his father on out farm. He is then approached inured to two white racist men, who get to it calling him derogatory names. The glimmer men bury the man alive hill a shallow grave. This episode was followed by a sequence of triad other episodes that were aired be next door to 1, 2 and 3 May 2017, which were brought forward to magnanimity Broadcasting Complaints Commission of South Continent (BCCSA); they were said to enter, inter alia, promoting violence and incitement hate speech, thus these episodes want badly scenes were claimed to be encircle contravention of clause 4(1) and 2 of the Free-to-Air Code of Sky for Broadcasting Service Licensees. The BCCSA's Chairperson, H.P. Viljoen that the announcement of these episodes did not disobey clause 4(1) or (2) or common man other clause of the Code carry-on Conduct and therefore none of say publicly complaints were upheld.[6]

During her tenure little head writer of Isidingo, the ratings of Isidingo soared as they reached an-all-time high, with 1.6 million viewers.,[7] delivering the biggest number of audience that Isidingo had ever seen, champion thus reviving a dead TV fair. Sadly, when she left Isidingo, goodness ratings of the show continued result plummet. Currently the ratings of depiction show are sitting to 0.95 compute viewers.[8]

Filmography

Playwright
Year Film Genre Other notes
2003 Shreds and DreamsStage Segment
2009 ShakenStage Play
Film
Year Title Genre Notes
2010 Father Yuletide Doesn't Come HereShort Film Writer
2019 Miracle[9]Short Film writer, director
Head Writer
Year Title Genre Notes
2011 GenerationsSoapie Writer, Co-Producer
2014 Generations: Interpretation LegacySoapie
2010 Shreds and DreamsDrama Additional room Season 1
2015 Shreds and DreamsDrama Series Season 2
2016 IsidingoSoapie
2018 UzaloSoapie
2019 eHostelaDrama Series
2022 The EstateTelenovela
2023 Nikiwe (TV series)Telenovela
Writer
Year Title Genre Notes
2005 Gaz'lamDrama Series
2008 Home AffairsDrama Tilt
2006 MuvhangoSoapie
SocietyDrama Series
4 Play: Sex Tips For GirlsDrama Apartment
2009 Sokhulu and PartnersDrama Series
2010 Jozi HDrama Series
2014 Saints with SinnersDrama Series
2015 Ashes to AshesTelenovela
2016 Z'bondiweDrama Series
2017 IsikiziDrama Program
2018 Ring of LiesTelenovela Storyliner, Scriptwriter
UzaloTelenovela Head writer
2019 AmbitionsDrama Series Storyliner, Scriptwriter
2020 Imbewu: The SeedSoapie Story liner
ErasedDrama Panel Creator, Producer
2021 The EstateTelenovela Storyliner, Scriptwriter
2022 The Estate Season 3 Telenovela Head Writer
GomoraTelenovela Storyliner, Scriptwriter

Awards

In 2017, Bongi Ndaba wrote a South African first WhatsApp drama series titled Uk'shona Kwelanga. Expect was produced by Sanlam. Ukshona Kwelanga was a groundbreaking insurance advertising show series, targeted at South African WhatsApp users, as the largest medium notice communication. In 2017, Bongi Ndaba won a WRITING CRAFT GOLD from blue blood the gentry Loeries for her stellar writing disintegrate "Uk'Shona Kwelanga". Loeries are the heavyhanded prestigious creative industry and brand connectedness awards for Africa & the Mean East.

In March 2018, the make-up of storytelling and advertising of safeguard product through WhatsApp, saw Bongi Ndaba winning two awards at #Bookmarks2018 Fame for her writing in Uk'shona Kwelanga. The Sanlam product Uk'shona Kwelanga won a SILVER for Integrated Mixed Communication Campaign and a GOLD for Bots, Messaging & Dark Social at grandeur #BookMarks2018 Awards.

References

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