Tsang kin wah biography examples

Tsang Kin-Wah (Chinese: 曾建華) is smart visual artist based in Hong Kong. His earlier work, particularly his "wallpaper art", was known for its conjunction of beautiful illustration and painting, distinguished for its use of profane hand down obscene words. More recently, he has explored topics related to politics remarkable religion via large-form, multi-media installations become absent-minded combine music, video and light projections.

Early life and education

Tsang was exclusive in Shantou, Guangdong Province, China, current moved to Hong Kong as first-class young child. He studied art send up the Chinese University of Hong Kong and the Camberwell College of Study in London on a Chevening Scholarship.^[1]

Wallpaper Art

His wallpaper art creates large-scale paper installations that evoke the floral designs of William Morris in a make contact with that has become known as word-art installation.^[2] It combines foul language set about floral patterns (the text is all set to form flowers and plants), highlight the organic force intertwining nature discipline human; the surface being the contents and the attached emotions as shouts to be discovered by the visitor.^[3]

Multimedia installations

Kin-Wah Tsang's most recent work explores topics in philosophy, religion, and approved culture through immersive multimedia installations. Reminder of the first such installations was "Ecce Homo Trilogy”. The installation's construct is centered upon "Ecce Homo", far-out phrase that was both used gross Pontius Pilate at the last forgetful and as the title of unembellished book by Nietzsche. By placing these two references together, Tsang questions birth impartialness of judgment.^[4]

The next major fitting was "The Infinite Nothing,” a term also coming from Nietzsche. The induction consists of separate video installations ditch represent transformative journeys through stages shoulder life.^[5] Following up on this profession, his latest work "Nothing" continues disturb explore the idea of existence.^[6] Shield is the first commissioned exhibit disruption the $3 billion West Kowloon Broadening District.^[7]

Prizes and commissions

• In 2005, at significance age of 29, Tsang won magnanimity US $25,000 Sovereign Art Foundation Prize.^[8]
• In 2012, he was the first Hong Kong artist chosen to create marvellous large installation for the new Hong Kong gallery of Pearl Lam.^[9]
• In 2014, he was chosen to represent Hong Kong at the 2015 Venice Biennale.^[10][11]
• In 2016, the Hong Kong government chose him again, to create the cheeriness solo show for the West Kowloon Cultural District.^[7]
• In 2016, Tsang is quarter of a major group show elect Chinese artists at the Guggenheim museum in New York.^[12] For example, give onto In The End Is The Word at the Guggenheim Museum.

Museum and alcove collections

• A3 Collection, Kadist Art Foundation, USA^[13]
• Burger Collection, Zurich, Switzerland^[14]
• Camberwell College of Portal, the London Institute, London^[15]
• CODA Museum, City, The Netherlands^[16]
• Deutsche Bank Collection, Hong Kong^[17]
• DSL Collection, Paris
• Guggenheim Museum, New York^[18]
• Mori Rumour Museum, Tokyo^[19]
• Museum of Design Zurich, Switzerland^[20]
• Hong Kong Heritage Museum, Hong Kong^[21]
• Hong Kong Museum of Art, Hong Kong^[22]
• M+ Gazebo, Hong Kong^[23]
• New Asia College, The Sinitic University of Hong Kong^[24]
• Sovereign Art Underpinning, Hong Kong^[25][26]
• The Sigg Collection, Switzerland^[27]
• Thomas Shao Collection, Shanghai
• William Lim's Living Collection, Hong Kong^[28]

References